/ LOGBOOK — DOCUMENTATION

The studio,
in its own words.

Process notes from the cutting room, field tests, and release journals. Updated when there is something worth saying — not when there isn't.

/ ENTRIES

/ YEARS

/ FILTER All STUDIO PROCESS DROP FIELD INTERVIEW

L007 / 14.05.26

STUDIO

Notes from the cutting room — fitting the Mirror Tee

Two grams of fabric weight separate a tee that drapes from one that hangs. This week we obsessed over the drop shoulder of the Mirror Tee — the kind of seam you don't notice, until it's wrong. We started this entry on a quiet morning in the studio. The light was good. The conversations were better. What follows is a slightly edited transcript of the things we noticed, in the order we noticed them — a working document, not a polished essay.

READ 4 MIN · 3 IMAGES · OPEN ENTRY →

L006 / 02.05.26

PROCESS

Indigo, again. Sourcing pigments from Tegal

For Quiet Riot we returned to natural indigo. Slower, less uniform, more honest. Each garment carries a fingerprint of the dye bath it was born in. We started this entry on a quiet morning in the studio. The light was good. The conversations were better. What follows is a slightly edited transcript of the things we noticed, in the order we noticed them — a working document, not a polished essay.

READ 4 MIN · 3 IMAGES · OPEN ENTRY →

L005 / 21.04.26

DROP

Drop 002 — release notes

Drop 002 went live at 19:00 WIB. Fifteen pieces. Six sold through within the hour. Notes on what we learned, and what stays. We started this entry on a quiet morning in the studio. The light was good. The conversations were better. What follows is a slightly edited transcript of the things we noticed, in the order we noticed them — a working document, not a polished essay.

READ 4 MIN · 3 IMAGES · OPEN ENTRY →

L004 / 09.04.26

FIELD

Three days with the Atelier Shirt, in Jakarta

A field test, not a campaign. Worn for seventy-two hours by three friends, photographed on phones, never ironed. We started this entry on a quiet morning in the studio. The light was good. The conversations were better. What follows is a slightly edited transcript of the things we noticed, in the order we noticed them — a working document, not a polished essay.

READ 4 MIN · 3 IMAGES · OPEN ENTRY →

L003 / 28.03.26

STUDIO

On the difference between bone and ivory

Our bone is one degree warmer than ivory. It changes how the garment reads against skin. A small thing that is not a small thing. We started this entry on a quiet morning in the studio. The light was good. The conversations were better. What follows is a slightly edited transcript of the things we noticed, in the order we noticed them — a working document, not a polished essay.

READ 4 MIN · 3 IMAGES · OPEN ENTRY →

L002 / 12.03.26

INTERVIEW

In conversation with Rasya, pattern maker

Eighteen years of cutting. Six years with Velora. Rasya on patience, on quiet hands, on why the first sample is never the last. We started this entry on a quiet morning in the studio. The light was good. The conversations were better. What follows is a slightly edited transcript of the things we noticed, in the order we noticed them — a working document, not a polished essay.

READ 4 MIN · 3 IMAGES · OPEN ENTRY →

/ DROP TIMELINE

Seven years, eight drops.

2019

DROP 000 — Almost Forgotten

09 pieces

2021

DROP 001 — Mirror Era

10 pieces

2024

DROP 002 — Quiet Riot

11 pieces

2026

DROP 002 — Busy Weekends

15 pieces

"We are not a clothing brand. We are a slow-moving room of patient hands, with a tendency to make shirts when nothing else feels honest."

— FENHAIM, FOUNDER

The studio, in its own words.

Notes from the cutting room — fitting the Mirror Tee

Indigo, again. Sourcing pigments from Tegal

Drop 002 — release notes

Three days with the Atelier Shirt, in Jakarta

On the difference between bone and ivory

In conversation with Rasya, pattern maker

Seven years, eight drops.

The studio,
in its own words.